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/ Theory
Theory
Pitch systems, çeşni and ajnas, seyir, and the Turkish/Arabic split.
01
Pitch systems
The 53-comma Turkish system, Arabic 24-tone notation, and cents.
02
Çeşni and ajnas — the building blocks
Tetrachords and pentachords — the building blocks makams are assembled from.
03
Seyir — melodic direction and pitch hierarchy
Melodic direction and the hierarchy of pitches within a makam.
04
The dastgah system
Persian classical modal system — the 7 dastgahs, 5 avazes, and how they relate to makam.
05
Turkish makam vs Arabic maqam
Where the Turkish and Arabic traditions actually diverge.
06
Persian parde names and the koron/sori system
The Persian pitch naming system, its 53-comma mapping, and comparison with Turkish perde names.
07
Makam and dastgah — a cross-reference
Where Turkish makam and Persian dastgah overlap, diverge, and share history.